[BOOK|TXT] Harpoon: Reykjavik Whale Watching Massacre

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Why'd we spend ten minutes in the opening music club when they're not important to the plot, no one we met there is involved in the rest of the film or why we've been wasting that time to start with? It's neither scary nor particularly shocking. Second, one name is wheel known in the genre, Gunnar Hansen.

I'm not even sure who was supposed to be the main character in this movie which shows how problematic the story was. I have to say that this movie is extremely different from any of those teen slasher flicks. This movie sucked in so many ways, it wasn't even funny bad, just bad.

A review of REYKJAVÍK WHALE WATCHING MASSACRE - Some of the dialogue is funny in a very surreal way mainly from the hunchback fishbilly.

But, a pair of local filmmakers is looking to change all that and spill a little innocent blood in their cold homeland waters. In fact, it would appear for all intents and purposes that Sigurdsson was aiming at homage right off the bat. Kemp and Sigurdsson essentially have Watvhing 2 truly sympathetic characters in their film. Leon played by Terence Anderson —a gay black man who takes it upon himself to try and save the others in a very Night of the Living Dead mannerand Annette Pihla Viitala a Greenpeace-type who suffers the most torture of any character in the film. Logic dictates the former as almost every character is a cardboard cutout projecting two-dimensional stereotypes up on the screen. A trio of performances highlight the film, including Harpoon: Reykjavik Whale Watching Massacre of British actress Miranda Hennessy as Marie-Anne a young woman on her Honeymoon alone who has every reason to give up and die, but fights for her life with such ferocity that she would ultimately sell out everyone on the boat to escape. Pihla Viitala, who as Annette, is utterly engaging and tragically abused at the hands of not only a would-be rapist, but later an even more deranged Fishbilly. Annette also serves as an emotional center in a film that struggles to find a central character. It Reykkavik loads Reykjagik good trapped inside tons of bad. The other part is that of the bizarre escape of a young Japanese tourist. Her drive, determination and ultimate escape, including her shocking disregard for members of her own family, is never explored. In the end, we know she has made it to safety and that she must be of some great importance in the a Massaccre, be we are left only wondering what Harpoon: Reykjavik Whale Watching Massacre who this girl is. It excites me as a genre fan to see a country not known for producing horror films, to mine its cultural zeitgeist and transform that into a personal film. I think in many ways, Kemp and Sigurdsson did that. The film looks great, providing some stark images and genuine moments of suspense; some of the performances are good, the rest are, if nothing else, inhibited by the simplicity of the script and the cartoon character-depth they are subjected to in the script.