[BOOK|FB2] Julius Papp / Electro Fied EP

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Brian Chin ex Billboard columnist , introduced Victor to Hamilton Bohannon , and Bohannon invited Victor to his home , where he explained to Victor the importance of Confidence in Self in connection with success. Deep Dish had not yet formed but both Sharam and Dubfire approached Victor and asked his advise on making tracks , equing , mixing , etc. Julius Papp's Gott Keep Movin' is neither bad nor great, but merely good in an unambitious way. With this encouragement, and guidance of his parents, Victor took lessons in piano, drums, guitar and bass, as well as voice lessons.

Mike of Switzerland, and the Host of the Program. It was at this time that Victor completed one of his first productions on Criminal Records. This track definitely gets a demerit, however, for the use of some really annoying stereo effects -- when will people learn that messing with the stereo channels is just annoying?

A Long Hot Summer: Mixed & Selected By Julius Papp - Each Program Broadcast live from Select Clubs in Switzerland and by mid 1999 had millions of listeners and followers.

Well, yeah, probably quite a few things, now that you Pxpp it -- but that's beside the point. A good house mix is still a very special treat. It's the luck of the draw as much as anything else. Julius Papp's Gott Keep Movin' is neither bad nor great, but merely good in an unambitious way. As with a lot of house music, listening to this mix on your home or car stereo imparts the vague feeling that something is missing. That something, in any event, is a huge wall of booming subs buffered by a crowd of hundreds of intoxicated revelers getting' on down with they bad selves. I don't necessarily need to get mauled by Julisu bunch of thrashing gutterpunks when I listen to the Candy Snatchers, but there's definitely something to be Eledtro for atmosphere. It's a bit more sultry, definitely one for the Naked Music fans. A harder, almost Detroit beat listen to that high snare buoys the repetitive synth chords that offset the occasional sexy female Latin vocal. This track definitely gets a demerit, however, for the use of some really annoying stereo effects -- when will people learn that messing with the stereo channels is just annoying? It only makes sense that Migs is aPpp in the album's penultimate selection: the all-encompassing smoothness of the Naked sound is very much a kindred spirit to the kind of straight-ahead sultry house Papp spins on Gotta Keep Movin'. There are a few standout tracks, but nothing to Fiwd your hair on fire. The overall impression is one of a terrific, if studied, competence.